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8 thoughts on “ Segment 4 - Outro - The Doors - In The Studio ;L.A. Woman; (CD)

  1. L.A Woman was the sixth and last of The Doors studio albums, never more were Jim Morrison`s vocal more raspy and bluesy after years of hard drinking and debauchery. The blues influence is certainly heard on tracks such as `Crawling king snake` and `Cars hiss by the window` but the albums highlights are definitely the title track `L.A Woman` the /5().
  2. Fans of iconic rock band THE DOORS are in for something special. The group’s final album’s L.A. WOMAN, with the signature hits “L.A. Woman,” “Love Her Madly” and “Riders On The Storm”--is being celebrated with a special two-CD release from Rhino and a behind-the-scenes DVD/Blu-ray from Eagle Rock Entertainment.
  3. L.A. Woman went on to become the second best-selling album by The Doors and the album spawned two major hits in L.A. Woman and Love Her Madly. L.A. Woman is The Doors most bluesy album and songs like Been Down So Long, Cars Hiss By My Window and Crawling King Snake are 4/5(38).
  4. The sixth studio album and the final album with Jim Morrison in their lineup, L.A. Woman is by far The Doors' most blues-oriented. Released April 19th, through Elektra Records, the album.
  5. Jul 15,  · The Doors - L.A Woman - L.A. Woman 40th Anniversary - 24 bits, x , 15 fps Lower Field First DivX® Codec (2 Logical CPUs) Interleave audio for every 15 frames PCM, kHz, 16 Bit, Stereo.
  6. Studio Banter and Exchanges Help Illuminate Creation of Album Here's your invitation into what went down in the studio during the record of the Doors' quintessential classic: L.A. Woman: The Workshop Sessions features eight never-before-heard versions of songs from the Doors' album and a never-before-heard song, "She Smells So Nice," which captures the band joyfully barreling through a.
  7. Discover releases, reviews, credits, songs, and more about The Doors - In The Studio: "L.A. Woman" at Discogs. Complete your The Doors collection.
  8. The title track to the final Doors album with Jim Morrison is a composite homage as well as an extended metaphor for what the lyricist saw as the essence of the city of Los Angeles. Many Doors insiders also consider it to be a direct peon to one particular “L.A. Woman” -- Doors publicist Diane Gardner.

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